Email arrived last week:
Dear Randy,
I've just joined
Curiosity Quills and it was my great pleasure to read SPILL. I found it to be a
fascinating and entertaining read. I am pleased to inform you Curiosity Quills
would like to offer you a contract for SPILL. To capitalize on the marketing
potential, we'll be looking to publish closer to the end of next summer, when
the primary season is in full swing for the elections.
Erika Galpin
SPILL is a political comedy, only comedy I've
attempted. I wrote it out of deep frustration. Over many decades of writing
fiction, with little publishing success to show for it, I thought: "Look,
if you can write something that makes people laugh, you can't deny the writing
is successful." SPILL—about a
fired English teacher who scams the political system and gets the girl, the
money, and a killer skateboard computer game—poured out of me in three months.
Never written any novel that quickly. I laughed as I wrote it; many readers
have laughed as they read it.
It got me an agent. We came close with traditional
publishers. Here's the final rejection from an editor at Ecco, a highly
respected imprint with Harper Collins. You make sense of it for me. I can't.
Thanks
so much for thinking of me and of Ecco for Randy Attwood’s political satire,
SPILL, which I enjoyed digging my teeth into. Fred and Zoe share a kind of
chemistry on the page that goads the imagination and leads the reader to be
genuinely interested in the outcome of their electoral shenanigans, and Attwood
very capably lampoons contemporary aspects of America’s current political
situation, like the oil industry, gun regulation, and unemployment.
Unfortunately, as compelling as I found this read, in the end it just didn't capture my heart and attention to the degree where I would feel confident
taking it on. Attwood has a sure command over language—my overarching issue,
though, is that that language seems to be employed towards the end of being
current; my instinct tells me SPILL exists less in and of itself and more for the
audience it is fashioned to attract, and so I am sadly going to have to pass on
this one. Attwood clearly has an accomplishment on his hands, and I wish you
and him the best of luck finding a home for this debut elsewhere.
I self-published it in 2011 because
editors at other traditional publishers advised my agent to encourage me to do
so. It got me into this whole new business of epublishing and saved my creative
life. I was really ready to just give up writing. Now I'm back at it. I haven't
had huge self-publishing success, but I've got some wonderful reviews from people
I don't know for my short stories, novellas and novels that are all over the
genre map.
The small press Curiosity Quills picked up the dark suspense work Blow up the Roses." Then they
accepted two works I have not self-published: Tortured Truths, released just this week, and Heart Chants, scheduled for Dec. 20.
Both are part of a Phillip McGuire mystery/suspense series. And I was proud to be the only author to have two stories published in their recent anthology, PrimeTime.
Now they've
acquired SPILL.
I have the contract on my desk to
sign. When I do so, it means I have to un-publish SPILL from my self-publishing platforms.
So, if you want an early copy,
here's the Amazon Kindle and paperback site.
And a favor. Although we are at
least eight months away from SPILL
being published by Curiosity Quills, it not too early for me to network and
find nationally known political type folks who would read this comedy and, if
enjoying it, provide a blurb endorsement. If you have a connection (or if you
are such a person!), do please let me know. randyattwood@hotmail.com
Signed the contract so had to un-publish SPILL. Look for it this coming summer. I did order some POD paperbacks of my self-published version so have some available I can mail out.
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